The spirit of perseverance forms the bedrock of Kristina Murray’s stunning new
album, Little Blue. Recorded with producers Misa Arriaga and Rachael
Moore, the collection grapples with loneliness, desperation, and existential
crises through a series of cinematic snapshots of small-town burnouts and
last call lovers. Murray is a country artist in the truest sense, a genuine
craftswoman with a keen eye and ear for the little details that bring her
working-class characters to life, and her delivery is timeless, blurring the
lines between the old school honky-tonk, swampy Americana, and
R&B-infused southern rock she grew up on in her home state of Georgia. If
Murray sounds like a seasoned vet on Little Blue, that’s because she is. While
the album marks her Normaltown debut, Murray’s spent the last decade
since moving to Nashville paying her dues in an endless series of dive bars
and juke joints, and the result is an electrifying introduction to an artist only
just beginning to get the kind of wider recognition her talent has long
warranted.